Love and landscape lyrics in Kumyk thaw literature

The article considers the Kumyk love and landscape lyrics of the thaw period as varieties of national literature, in which the evolution of artistic thought was clearly manifested. The study is carried out in the context of the socio-cultural paradigm of the second half of the 1950s and 1960s, in line with the general literary process of the country, characterized by democratization, a certain emancipation from socio-political, ideological factors. In the study of stage, transitional phenomena, it is important to consider the directions and varieties of literature, including genre, which are, relatively speaking, traditional and have their own history. In Kumyk literature, these include intimate poetry and landscape sketches. Their development from the work of the first Soviet decades to the literature of the second half of the last century reflects the process of evolution of verbal art, the line of repulsion from socialist realist clichés and ideological stereotypes. The relevance of this research is determined by the fact that the new comprehension and modern interpretation of both individual, iconic works and significant aspects, specific periods of literary development, in this case the Kumyk love and landscape lyrics of the thaw years, contributes to deeper understanding of the history of national literature in particular and the ways of development, features of the evolution of Soviet multinational literature as a whole in the specifics of their manifestation. For the first time the subject of special scientific study is Kumyk thaw poetry; it resolves the goals and objectives associated with determining the evolution of people's artistic thinking, liberation of poetry from rigid party principles and socialist realist clichés, and a return to the original national aesthetics of poetic creativity. Along with this, the actualization of the problems of the private life of characters as opposed to the social life, the intensification of interest in the purely personal issues of the individual's everyday life and existence, in his inner world, caused the authors to appeal to traditional moral values and the traditions of oral poetic creativity. The article uses socio-cultural, comparative-historical and analytical research methods.

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