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Kumyk dramaturgy of the first half of the xx century

https://doi.org/10.25587/f0778-7469-3621-f

Abstract

The article considers Kumyk dramaturgy of the 1920-1950s, which accounts for the activities of famous national playwrights A.-P. Salavatov, A. Kurbanov, Atkay, Yu. Gereev, G. Rustamov, A. Bashirov and others. The main array of works organically fits into the context of the Soviet era, when verbal culture was aimed at solving the problems facing society, at building a new life. Stage works are dominated by the problems inherent in the specified period, motives, in particular, the struggle against the clergy, collectivization, problems of enlightenment, an angry rebuke to fascism, a return to peaceful life, etc. At the same time, within the framework of the deideologized reading of the dramatic heritage of the Soviet past, it has been noted that the individual skill, identity of the authors determined the exit of socialist-realistic cliches established in literature, the reflection, albeit through detail, of the realities of ambiguous reality. The relevance of the study is due to the fact that for the first time the Kumyk drama of the first half of the 20th century becomes the object of scientific consideration in a holistic form, with the identification of development milestones, evolution, with the highlighting of the most significant phenomena, texts, and the determination of the contribution to this process of specific authors. Sociocultural and analytical research methods are basic. Kumyk drama was studied taking into account the principle of historicism, as well as the experience of modern Russian literary criticism on a new reading of the Soviet literary heritage. A.-P. Salavatov’s "Red Partisans", A. Kurbanov’s "Turn," "Love Asiyat," A. Bashirov’s comedy "Manap," M. Kurbanov’s "Molla Nasrutdin" and others are considered with the framework of both the movement of the literary process and the socio-political situation of the time of their creation. In the chronological context, the ways of evolution of problems, the development of genres, poetics, including the strengthening of psychologism, are revealed. In this context, in particular, in the genre plan, the intensification of the social drama of the tragic sound during the years of the construction of Soviet power (late 1920-early 1930s), the emergence of comedy (second half of the 1930s), the actualization of family and everyday issues in the future, the emergence of psychological drama (post-war period) were noted.

About the Author

M. A. Guseynov
Dagestan Federal Research Center of the Russian Academy of Sciences
Russian Federation


References

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Review

For citations:


Guseynov M.A. Kumyk dramaturgy of the first half of the xx century. Vestnik of North-Eastern Federal University. 2021;(1):67-77. (In Russ.) https://doi.org/10.25587/f0778-7469-3621-f

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ISSN 2222-5404 (Print)
ISSN 2587-5620 (Online)