The article analyzes the results of the conducted assessment of the impact on the ethnological environment of the tribal community of indigenous minorities “Botuobuia” as the landholder of the territory of traditional residence and traditional economic activity of the indigenous peoples of the North within the Tas-Yuryakh licensed area. Using the established methodology No. 565 from 2009, losses to the tribal community of indigenous minorities from the industrial activity of the production facility of PJSC Gazprom were determined. The industrial impact object is exploration well No. 141-16 of the Tas-Yuryakhskoye OGCF, which is located on the territory of the tribal community. The article provides information on the biology of hanting mammals, and also analyzes the dynamics of their numbers in the hunting grounds of the Mirninsky district of Yakutia. It has been established that a significant change in the state of the number of hanting mammals has been recorded on the territory of the tribal community. The main types of industrial activity due to which changes occur are the search, exploration and production of hydrocarbon raw materials, which are accompanied by the construction of highways, quarries of common minerals, shift housing complexes, infrastructure facilities of deposits, a significant increase in the intensity of traffic, etc. In 2010, the Sakha Republic (Yakutia) adopted the law “On Ethnological Expertise”, as a results to which many subsoil users have already conducted an ethnological expertise of their activities to assess the impact of gas and oil production facilities on the traditional industries of tribal communities on whose lands these facilities are located. Based on the results of the ethnological examination, subsoil users conclude agreements with communities of indigenous peoples in which they undertake not only to develop the infrastructure of the villages, but also to promote an increase in the number of hanting mammals. 

In nature the number of orchids is sharply declining due to habitat disturbance, collecting in bouquets and digging up of plants for replanting into culture. Taking into account these factors, it is important to conserve the orchid gene pool ex situ. The Main Botanical Garden of the Russian Academy of Sciences has been actively involved in solving this problem for several decades now and has accumulated quite a lot of experience in growing orchids. The main purpose of the study is to summarize the experience of long-term introduction of Eastern European orchids into the MBG RAS for the period from 1947 to 2024. In this regard, it was necessary to solve the following tasks: to evaluate the number of tested samples, the duration of their cultivation, the completeness of development cycle and the resistance of Eastern European orchids in culture. The experience of long-term introduction of 18 species of the Orchidaceae family on the botanical and geographical exposition of Eastern Europe of the Main Botanical Garden of the RAS is described in the article. The largest share (68%) of samples was brought from natural habitats of the Moscow region. The maximum number of samples tested was to Cypripedium calceolus. Its resistant samples went through a full development cycle every year and existed for more than 10 years. The duration of the introduction testing of 4 samples of other species reached more than 20 years: Dactylorhiza fuchsii, Listera ovata, Neottia nidusavis, Orchis tridentata. 13 species (72%) turned out to be weakly resistant or unsteady under the conditions of the MBG RAS. Species of the genus Orchis are weakly resistant in cultivation, and species of the genus Dactylorhiza differ in resistance: D. fuchsii – resistant, D. incarnata and D. traunsteineri – weakly resistant, D. baltica – unstable. Introduction population of D. fuchsii has been created from seedlings obtained culture in vitro. There are currently 4 species grown in the collection: Cypripedium macranthon, C. × ventricosum, Epipactis helleborine and Neottia nidus-avis.

The relationship between microstructural defects and corrosion resistance of metallic alloys has long been a subject of study in materials science and condensed matter physics. This study investigates the effect of high-energy heating using high-frequency currents on the dynamics of dislocations in metallic materials under conditions of increased corrosion resistance. High frequency current treatment causes rapid localized heating, creating temperature gradients and mechanical stresses that alter the dislocation structure. Two commercial alloys were studied in the experiments: an aluminum alloy susceptible to pitting corrosion and an austenitic stainless steel susceptible to intergranular corrosion. Microstructural and corrosion studies were performed using transmission electron microscopy, X-ray diffraction, and electron backscatter diffraction. The results show that high-energy heating significantly reduces the dislocation density and promotes their clustering, which reduces stress concentration and improves microstructural homogeneity. At the same time, the formation of a stable oxide layer accelerated by thermal activation improves passivation and electrochemical stability in aggressive environments. The synergistic effect of dislocation modification and surface oxidation results in a significant increase in corrosion resistance, especially in materials susceptible to pitting and intercrystalline corrosion. High-frequency current treatments can also be used to study the physical basis of the electroplastic effect and to heal microcracks in metals and alloys. The studies highlight the potential of high-frequency current treatment as a dual-purpose method for optimizing both the mechanical integrity and corrosion performance of structural alloys, suggesting promising applications in the aerospace, marine and energy industries, where durability in harsh environments is critical.

Any technological solution then has the right to be applicable and widely distributed when it is justified from a clinical point of view. That is, when as a result of the application of the technology the survival rate of patients increases in comparison with the previous one. The purpose of the work is to systematize the results accumulated over the past eight years on the statistics of dose homogeneity indices in the target when planning irradiation for several nosologies. When reaching tolerant values of the homogeneity index, the probability of tumor recurrence decreases, which entails an increase in the life expectancy of patients. Homogeneity indices in the target were calculated when planning irradiation of patients. Dependences of the HI dose homogeneity indices within the target on the irradiation technology were obtained. Taking into account the prognostic capabilities of the HI index for relapse-free survival, the optimal technology for irradiating patients for each nosology was selected. It has been shown that when irradiating cervical cancer, it is desirable to use 3D conformal radiation therapy 3DCRT and intensity-modulated radiation therapy IMRT, and for lung and prostate cancer, intensitymodulated radiation therapy in the RapidArc rotational mode. It is desirable to irradiate breast cancer using 3D CRT technology. It is also shown that the length of the irradiated targets has a pronounced effect on the homogeneity index and its tolerance values. It is possible to optimize irradiation plans by selecting the irradiation technology to achieve HI within the tolerance limits. The considered technologies of conformal radiation therapy 3D CRT, IMRT, Rapid Arc can be considered viable, since in most cases they allow achieving the desired homogeneity in the target and, thus, significantly reduce the likelihood of relapses in cancer patients.

The paper provides an analysis of the selection criteria for refrigerants (freons) for heat pumping units (HPU). Currently, there is a worldwide trend towards the introduction of HPV as a source of thermal energy due to their efficiency, the absence of harmful emissions into the atmosphere and the use of renewable energy sources. Three main criteria are considered: 1) the degree of ozone safety; 2) the value of energy efficiency; 3) cost. According to the degree of ozone safety, there are 3 types of classification: ozone-safe, partially safe and especially dangerous. Based on national and international climate protection documents, refrigerants (freons) classified as ozone-safe should be selected. To identify the most energy-efficient refrigerants (freons), a thermophysical calculation of the fuel cycle should be performed. 4 brands of refrigerants (freons) from the ozone-free classification were selected for calculations: R-32, R-717 (ammonia), R-134a, R-410A. Based on the results of the study, it was revealed that the most effective refrigerant (freon) is the R-717 (ammonia) brand, whose electricity conversion coefficient is COP = 3.29. However, it follows from the cost analysis that this refrigerant has a high cost (11510.5 rubles per 1 kg of substance) due to the production characteristics. Refrigerants (freons) of the R-410A and R-32 brands have approximately the same cost equal to 1400 ... 1550 rubles per 1 kg of substance and also approximately similar energy efficiency COP = 3.01... 3.03. It was revealed that the most optimal choice is the refrigerant (freon) brand R-134a, which meets all three criteria: energy efficiency COP = 3.23; cost per 1 kg of the substance 2200 rubles; classification ozone-safe ODP = 0.

The article considers Robert Burns’s poem My Heart’s in the Highlands in the translation reception of Abkhaz poet-translator Platon Bebia. The scientific novelty of this work is determined by the attempt to delve into the peculiarities of the literary translation made by the Abkhaz poet. The purpose of the article is to analyze the patterns of interlanguage correspondences and to determine the lexical and semantic features of translating a poem into Abkhaz language. The research objectives include identifying the basic symbols and concepts that define the ethnocultural worldview of the author and the poet-translator. Context analysis shows the transformations and semantic shifts that occur when choosing necessary concepts for adequate translation into a different linguistic and cultural context. The use of the comparative method allowed to compare the effectiveness of the translation strategies in poetic transfer to a secondary text. A comparative analysis is carried out to identify the influence of lexical substitutions and their consequences for the original text. For this purpose, individual conceptual images, compositional and stylistic characteristics are explained. The research material includes the poem by R. Burns My Heart’s in the Highlands, as well as the translation texts by Samuil Marshak and Platon Bebia. The result of this research indicates that the poet Platon Bebia, an Abkhaz poet deeply rooted in his native culture, successfully employed the resources of his language to convey to the contemporary Abkhaz readership the nuanced spectrum of emotions expressed by the Scottish poet towards his homeland. The analyzed material testifies competent cultural interpretation of the Abkhaz translator of Burns’s individual motifs, images, and poetics. Due to the similarity of the author’s and translator’s worldviews, the equivalent translation into Abkhaz language, preserving symbolic images and semantic expression, has been successfully accomplished by Bebia.

The article explores the poetics of contemporary Bashkir literature, a theme of current relevance to the literary process, employing prose works as an example. This paper provides the national, cultural and historical characteristics of Bashkir prose. Through an assessment of several novels, the author identifies the genre’s origins and the specific compositional features of these works. Eventually, the study outlines potential features future developments in the modern Bashkir novel. The author concludes that modern Bashkir prose is the result of literary explorations throughout the 20th century, combined with modern trends and directions in literature. The main problem determined in this study is the absence of clear genre distinctions within Bashkir literature. This includes a lack of internationally renowned representatives of this region in the literary world. The limited scope research on the distinctive features of Bashkortostan literature leads to a reduced understanding of the unique phenomenon in literature, reflecting the cultural, social, and historical realities of Bashkortostan. The poetics of these novels often encompass a combination of traditional elements from Bashkir oral storytelling and modern literary techniques. Themes and motifs: modern novels study a wide variety of themes, ranging from national identity and cultural heritage to social change and individual crises. These often show traditional Bashkir values, customs, and mythology. Structure and style: these novels can use diverse narrative techniques, including fragmentation, layering of narrative, and the use of different points of view, thereby creating a dynamic and multifaceted perception of the plot. Characters: protagonists in modern Bashkir novels are often carriers of cultural conflicts, facing the challenges of modernity and trying to preserve their identity. Their internal experiences and the search for the meaning of life become the central elements of the narrative. Language and symbolism: the language of these works is replete with metaphors and symbols that emphasize the cultural characteristics of the Bashkir people. The use of dialects and folk speech gives authenticity to the texts. Social context: modern novels reflect changes in society, including globalization, migration, and the transformation of traditional values, making it relevant to discussions of contemporary issues. Thus, the poetics of the modern Bashkir novel represents a complex relationship between traditions and innovations, establishing it as a significant part of both Bashkir and world literature.

The present аrticle exаmines the syntаx оf cоmplex sentences in the Yаkut lаnguаge, fоcusing оn synоnymоus cоnstructiоns thаt require differentiаtiоn fоr understаnding their develоpment. The аim оf the study is tо identify the feаtures оf using cоncessive cоnstructiоns аnd their functiоnаl rоle in the text. The reseаrch is bаsed оn the hypоthesis thаt these cоnstructiоns cаn be cоnsidered quаsi-synоnymоus, аs they аre nоt cоmplete synоnyms аnd differ in certаin shаdes оf meаning оr style. The pаper distinguishes three types оf cоncessive cоnstructiоns: synthetic, аnаlytic-synthetic, аnd аnаlyticаl. Exаmples frоm Yаkut literаry wоrks аre used аs empiricаl mаteriаl, illustrаting the diversity аnd cоmplexity оf syntаctic structures. The аpplicаtiоn оf structurаl-semаntic, distributiоnаl methоds, аnd cоmpоnent аnаlysis hаs аllоwed fоr the identificаtiоn оf previоusly undоcumented differentiаl feаtures оf these cоnstructiоns. The results оf the study mаy be useful fоr bоth theоreticаl linguistics аnd the prаctice оf teаching the Yаkut lаnguаge. Future reseаrch is expected tо explоre оther types оf cоmplex sentences аnd cоmpаre cоncessive cоnstructiоns in the Yаkut lаnguаge with similаr cоnstructiоns in оther Turkic lаnguаges. This study аlsо emphаsizes the impоrtаnce оf cоnsidering culturаl аnd cоntextuаl fаctоrs when аnаlyzing linguistic structures, which cаn cоntribute tо а deeper understаnding оf the lаnguаge system аnd its functiоning in vаriоus cоmmunicаtive situаtiоns.

The present study aims to systematically refine the term “tonality” within the linguistic paradigm through an analysis of related categories and a synthesis of interdisciplinary approaches to its interpretation. The relevance of the research is driven by terminological dissimilarity and the lack of consensus in defining textual tonality, which complicates its application in both theoretical and applied studies. The article’s objective is to develop a comprehensive approach to tonality as a category, integrating existing interpretations from adjacent fields of linguistics: discourse analysis, stylistics, emotion linguistics, and computational linguistics. The methodology is grounded in an interdisciplinary analysis of works addressing the phenomenon of tonality, with an emphasis on identifying overlaps in their interpretations. The study systematizes approaches to classifying tonality types and clarifies its interrelation with categories such as discourse, modality, emotiveness, and evaluation. The scientific novelty lies in integrating heterogeneous concepts into a unified model that addresses the fragmented understanding of tonality. A key outcome of the research is the formulation of a working definition of tonality as a multidimensional textual category expressing the author’s emotional-evaluative stance through linguistic markers, contextual factors, and pragmatic intentions. Based on a comparative analysis, a classification of tonality types is proposed, accounting for their functional specificity. The practical significance of the study lies in the potential application of the developed model in applied fields such as automated tonality analysis (SA), media content analysis, stylistic examination, and the interpretation of discursive strategies. The unification of terminology and the structuring of tonality identification criteria may enhance the accuracy of linguistic and computational text-processing methods. The findings open avenues for further research on tonality within cognitive-discursive frameworks, as well as for the development of machine learning algorithms tailored to the multicomponent nature of this category

The article reveals the phenomenon of the imaginary journey in the lyric poetry of Georgy Ivanov, a prominent figure of the first wave of Russian emigration. It explores the various expressions of imaginary journeys in the poetry of emigrant poets, that correlate in relation to established traditions of world literature and the distinctive characteristics of the poetry of Russian diaspora. The integration of semantic analysis with cultural and historical contextual description is a methodologically pertinent approach, explaining the relevance of this study. The objective of this research is to explore the transformation of the phenomenon of imaginary voyage, regarding its content and structure, as contingent upon the cultural and historical context surrounding the emigrant poet. To achieve this objective, a comparative analysis of the specific characteristics of this phenomenon is conducted, focusing on both the pre-emigration and actual emigration periods of Ivanov’s lyrics. The article identifies the following trajectories of imaginary voyage as emblematic of Ivanov’s lyrical subject. In his early lyrics, he focused on literary and cultural reality, whereas in his emigrant period lyrics, he focused on the cosmic realm of non-being and the territory of the lost homeland — Russia. The literary reality into which Ivanov’s lyrical subject emerges is linked to specific cultural epochs — classicism, rococo, romanticism. The lyrical subject is propelled by the desire for integration into a new reality, risking self-identification. Access to the cultural and historical context enables the researcher to realize that Ivanov perceives his emigration as a tragedy. Therefore, his later texts (in contrast to the early lyrics, where the image of Russia and St. Petersburg appears infrequently) reveal his desire to return to Russia, using the mechanisms of memory and imagination to compensate for the impossibility of real return. The comparative analysis indicates that, for the lyrical subject of Ivanov’s emigration lyrics, the number of potential routes diminishes, with only one route bearing a positive connotation – leading to an irrevocably lost reality. The results of this study may contribute to the further exploration of the poetic discourse within the literature of the Russian emigration.

The article provides intertextuality and the ethnic dialogue between cultures and consciousnesses as presented in the artistic representation of the heroic exploration and habitation of a previously unknown island in the Arctic Ocean at the beginning of the 20th century. The novel “Island of Hope” by the Chukchi writer Yuri Rytkheu is based on diary entries with the use of ethnological material in the book “Island of Snowstorms” by the Russian Arctic explorer Georgy Ushakov. The study reveals both conscious and unconscious deployment of diverse intertextual strategies, including quotations, allusions, reminiscences, etc. An understanding of the ontological structure of the ascetic being-event within the lives of the novel’s characters is facilitated by engaging with the phenomenology of action, as explored by M. Bakhtin in his work “Towards the Philosophy of Act”. The deep origins of the novel’s figurative system are highlighted to ethno-traditions, folklore, as well as to the mythological consciousness that arose in ancient times and transformed during a period of historical time. This work reveals how the Chukchi writer-philosopher Yuri Rytkheu, aiming to explore the depths of the spiritual world and forms of existence, as evidenced by the scope of his library, and more importantly, by his numerous novels about the lives of the Chukchi and Eskimo peoples, having the challenges of acculturation and linguistic barriers. Thus, Rytkheu became a unique mediator of mythological meaning-making – a cultural hero and creator of a variety of literary representations of cultural heroes. Since ancient times, myths have idealized human creative activity and responsibility for the world order as foremost and infrequent expressions of subjective self-awareness. This self-awareness is based on the juxtaposition, the internal dichotomy of “Self” and “Other”. According to Maksim Gorky, humanity owes to the mythical cultural hero an “ideal in the form of a staff”, a moral “crutch”. In “Island of Hope”, Rytkheu transfers the functions of mythological figures to real people, proceeding from an archetypal mythologeme to two socially significant characters. The Eskimo sea hunter and shaman Jerok, called “umilyk” and the expedition leader Georgiy Ushakov, the “Russian umilyk”, who assumes responsibility for organizing the settlement and survival of people on a deserted island, gradually attain the status of cultural heroes through their actions.

Information and processes related to information processing today play one of the key roles in the current stage of society’s development. Information is a significant tool of influence in the world. The impact on the addressee in modern society occurs through the use of various communication channels. The mass media today represent one of the most important sources of forming ideas about the world. Being subjected to various political, economic, social, cultural and other factors, the media turn from an instrument of broadcasting information into an instrument of informational and psychological influence on the mass consciousness of society. The development of mass media in this context actualizes the problem of manipulation of the addressee. Currently, a huge amount of scientific research is devoted to the problem of manipulative influence on the consciousness of the audience. Language, a primary tool of the media, can become an instrument for influencing the addressee when subjected to various distortions. Research papers devoted to the problem of language manipulation are widely represented in the scientific community of domestic and foreign linguists and other researchers. In contrast to manipulation, countermanipulation is mentioned and considered only by a few researchers. The difficulty in defining the concept of “countermanipulation” leads to difficulties in its interpretation and the lack of a single definition of this concept in the works of Russian researchers. Foreign studies have noted the absence of the concept of “countermanipulation” and its replacement by the similar concept of “counteraction”, which in English is expressed through the term “counteract”. That is why the urgency of the problem of countering the manipulative nature of the media remains especially important these days. This article examines the problem of countermanipulation as a way to counteract linguistic manipulation in the media. The research is aimed at examining the main criteria for verifying the reliability of information in the fight against linguistic manipulation in modern media. Recommendations are also provided as counteraction or countermanipulation measures.

The study of tactile perception vocabulary in the Sakha language is of significant interest to cognitive linguistics and semiotics, as it reveals the relationship between linguistic means, cultural codes, and the inner world of a person. Given the insufficient research on perceptual vocabulary in the Sakha language, this work fills a gap in understanding its role in literary texts. The aim of the article is to conduct a cognitive-semiotic modeling of tactile perception vocabulary in Angelina Vasilyeva-Daiyyna’s story “Kerecheene”, identifying its functions in conveying emotions, feelings, and the inner states of the characters. The research material is the text of the story “Kerecheene” by Angelina Vasilyeva-Daiyyna. The primary method is cognitive-semiotic analysis, which allows for the identification of key models such as “Tactile Perception – Feeling of Love”, “Tactile Perception – Emotional Wound”, “Tactile Perception – Gratitude”, and others. The analysis showed that tactile vocabulary plays an important role in revealing the psychological portrait of the main character, their experiences, and transformation. Tactile images interact with cultural and social contexts, forming complex semantic structures. Tactile perception vocabulary serves as an effective tool for conveying emotional states and internal conflicts. The study demonstrates the uniqueness of tactile vocabulary as an element of literary text, emphasizing its significance for meaning formation and the revelation of the human inner world. The article contributes to the study of perceptual vocabulary in the Yakut (Sakha) language, expanding the understanding of its role in the cognitive-semiotic space of a literary work. The findings highlight that tactile vocabulary not only reflects the emotional and psychological states of the characters but also serves as a bridge between individual experience and the cultural traditions of the Sakha people. This allows it to be viewed as an important tool for conveying deep meanings and cultural codes the Sakha ethnos.

This paper provides the invariant of the trial motive in modern Buryat prose in the context of the folklore tradition. The trial motive is considered as a necessary element for ethnic selfidentification. The study explores the relationship between folklore traditions and modern literary narratives, as well as the role of collective memory in the formation of identity. The central problem studied in this research concerns the identity crisis, which is overcome through folklore motives, particularly the trial motive, and transformations in modern literature, thereby contributing to the preservation of national values and cultural heritage. The relevant of the research is to understand the processes of formation and strengthening of ethnic identity in the context of globalization through the study of the role of folklore motifs. The purpose of this study is to analyze the influence of the folklore trial motive on the plot and structure of modern works by Buryat authors, and to determine the motive’s role in the formation of ethnic identity. The research material includes works of Buryat literature, containing “Precious” by Bolot Shiribazarov, “Once in Buryatia” by Aleksandr Erdyneev, and the novel “Aryana” by Svetlana Savelyeva. The results shows that the folklore trial motive is actively used in the comprehension and interpretation of modern Buryat literature. The folklore basis of the trial motive appears in tribal collectivism and historical connection, which helps solve the identity crisis. This motive contributes to understanding of modern social changes, reflecting the adaptation of traditions to new realities. This perspective opens opportunities for future research into the preservation of cultural identity and traditional knowledge.  

The relevance of the article is dictated by an attempt to form a methodology for the study of the Yakut urban text, which actualizes the authentic object of analysis – the mythological layer of the text of the town of Yakutsk. The scientific novelty of the article is determined by the attempt of a new understanding of the town as a semantic structure, which is manifested in the constancy of images, universals with cultural, historical, mental community and united in a single artistic system. The representation of the image of the town in a literary text as a segment within which the unique quality of the national world is most vividly revealed is currently one of the unexplored areas in Yakut science. The purpose of the article is to determine the specifics of the local myth in the Yakut urban text. The tasks undertaken include: identifying the mythological narrative about the sacred landscape of the town (about Saisary Lake, Chochur Muraan, Tuymaada valley, Southern and Northern Capes, Lena River), which constitute the primary level of the mythopoeic text; to create typological differences between urban myths (about the founding of the city, the arrival of the Cossacks in the Lena region), etiological myths (about the origin of which-or natural and cultural features and social objects), eschatological myths (about the future of the city), which form a substantial part of the sacred biography of the town of Yakutsk, which has a significant impact on the formation of urban and national identity. The object of the research is the specifics of the urban spatial myth, focusing on the components and meanings of Yakutsk’s mythology as a text. Employing interdisciplinary, comparative, and historical-cultural approaches have become an analytical tool in the article. The study of this problem in the literary aspect helps to identify the features of constructing a national picture of the world, the specifics of individual style, and the author’s position of the Yakut writer as a bearer of national consciousness. The material for the article is partly folklore, mythological, historical sources, as well as literary works by Yakut writers of the twentieth century

Russia is one of the important countries in the world. As China’s largest neighbor, it plays a special role in enhancing China’s international communication capabilities. With the deepening of the comprehensive partnership and strategic interaction between China and Russia, the coverage of China in the leading Russian media has become more diverse and multi-faceted. This article analyzes the materials related to China’s image in three leading Russian newspapers: “Izvestia”, “Kommersant”, and “Rossiyskaya Gazeta” in 2024. The aim of the research is to identify the main reasons for the positive image of China in the Russian media and to put forward measures and recommendations for improving the perception of China’s image by the Russian people. This article mainly applies the method of literature research, the method of content analysis, and the method of case analysis. This research is intended to inspire and provide a basis for the further high-quality development of China-Russia relations and the realization of mutually beneficial cooperation. The main reasons for the emergence of a positive image of China are as follows: China’s own strength and development achievements attract attention; the relations and cooperation between Russia and China continuously reach new heights; China’s diplomatic concepts and its international responsibilities are recognized; the great variety of information dissemination forms promotes the cultivation of mutual understanding between the peoples of the two countries. This work suggests that China should take culture as a breakthrough point to comprehensively improve the country’s image, continue to strengthen cultural exchanges and dissemination, promote the exchange of experiences between civilizations, optimize media dissemination strategies, and guide the construction of China’s image in China-related issues; innovatively develop the ways of disseminating China’s image, deepen economic and trade cooperation and exchanges, strengthen people-to-people exchanges and interactions, and promote the high-quality development of empathy in the field of information dissemination.

The article explores inanimate nature vocabulary in the Yakut language, specifically focusing on terms that incorporate zoonymic (animal-related) components. This study is highly relevant in the context of preserving linguistic heritage. While fragmentary research exists on certain categories of terms, such as meteorological, landscape, and hydrographic vocabulary, a systematic analysis of this lexicon remains lacking. This study aims to provide a comprehensive analysis of the inanimate nature vocabulary in Yakut, with a focus on zoonymic components, and to identify the structural and semantic patterns of word formation. To achieve this, the following tasks were undertaken: (1) collecting and systematizing lexical units related to inanimate nature in Yakut that include zoonymic elements, and (2) identifying the most productive structural and semantic models for forming compound words with zoonyms. The methodology included continuous sampling from lexicographic sources, cognitiveonomasiological analysis, and componential analysis. The findings reveal that the most productive structural model is the “noun + noun with a third-person possessive affix” pattern (50% of cases), as seen in examples like tulluk khaara (lit. “snow-bunting + snow-POSS.3SG”). The semantic models “zoonym + somatism” (26%) and “zoonym + landscape” (21%), which emphasize the role of visual analogies and connection with traditional economic activities are quantitatively prominent. It has been revealed that zoonyms are actively used in the Yakut language to nominate natural features of Yakutia, which reflects the northern component of Yakut culture. Thus, snow is metaphorized through images of fur-bearing animals (hare, fox) and birds (crow, snow-bunting), northern lights are associated through the zoonim balyk ‘fish’, and names of domestic (dog, cow, horse) and commercial (hare) animals are found in the nomination of bumpy terrain. These terms not only serve a nominative function but also encapsulate traditional ecological knowledge. The research underscores the importance of such lexicon in understanding the linguistic worldview of indigenous Arctic and Far Northern communities. Future research directions include a deeper investigation into the motivational features of inanimate nature lexicon in Yakut. The results contribute to the fields of Yakut lexicology and ethnolinguistics, enriching our understanding of the linguistic worldviews of Arctic and Subarctic peoples

The influence of the personality and creative heritage of Alexander Sergeevich Pushkin on his contemporaries and descendants – artists of words – cannot be overestimated. Both critics and the authors themselves of both Russian and national literature (since the 19th century) have repeatedly noted that the experience of the great teacher and fighter became for them a model and guideline in the search for their own creative path. This article attempts to analyze the receptive perception of creativity and personality of A.S. Pushkin by Yakut poets of the 20th – early 21st centuries. The purpose of this study is to consider the thematic and motif-figurative reception of Pushkin’s works and biography in the literary output of Yakut poets. The analysis revealed that the key themes of the analyzed poems are the themes of struggle and freedom, slave past and free future, life and death, memory and gratitude. Image of A.S. Pushkin is recreated in all the greatness of his creative genius: a champion, a conductor of free will, the founder of Russian literature and many national literatures, at the same time, he is the closest brother of the quill. All poems are united by the main idea of glorifying the genius of Russian literature. The research material was the poems of Yakut poets translated into Russian, included in the publication dedicated to the 220th anniversary of the birth of A.S. Pushkin. This article’s theoretical basis includes the works of N.N. Levakin and E.G. Melnikova. Based on the works of domestic and foreign literary scholars, the authors emphasize the importance of the receptive approach to the analysis of a literary text as a carrier of a certain set of echoes of previous cultural experience. The poet, when creating a work, implicitly relies on what he has read earlier, refracting the experience gained through the prism of the individual author’s worldview. The result is an original text in which the author’s “receptive experience” “shines through.” Furthermore, the perception of a literary work depends on objective social and historical factors, as well as on the individual and personal traits of the recipient.